Browse Items (16 total)

© Sébastien Löffler / NOI Pictures
Ceramic bowl with slanted base, thickened rim and a pair of linear decorative bands; from the earliest portion of the Hán-Việt period (period of Chinese dominance).

© Sébastien Löffler / NOI Pictures
A deep ceramic bowl with an ivory glaze; thin-walled, sloped with a slightly flared rim; probably for alms-giving for buddhist monks and nuns.

© Sébastien Löffler / NOI Pictures
Ceramic bowl decorated with abstract natural images on the outer surface, finished in a blue-and-white glaze technique.From a wealthy family of the Kinh (Việt) people

© Sébastien Löffler / NOI Pictures
Ceramic bowl decorated with dabbed on minimalist linear designs, with an unglazed stacking ring; finished in a blue-and-white glaze technique.From a wealthy family of the Kinh (Việt) people.

© Sébastien Löffler / NOI Pictures
Ceramic bowls decorated with a simplistic & abbreviated floral design on the exterior (107), with fluid swirling, floral patterns & Chinese characters on the outside surface (108) and with minimal circumferential rings in the well (111). All have…

© Sébastien Löffler / NOI Pictures
Shallow ceramic plate & bowl from the dynastic period of Vietnamese history; olive-green glaze, applied by dip method.

© Sébastien Löffler / NOI Pictures
Ceramic plate which is a good example of the blue-and-white glazing technique on ware made for the domestic market; simple abstract floral pattern design, illustrating the difference between Việt Nam ceramics and the more formal designs on Chinese…

© Sébastien Löffler / NOI Pictures
Ceramic plate with blue-and-white glazing technique; looser abstract design representative of plants, leaves and flowers; name of owner in Nôm-Việt characters stippled
on the surface.

© Sébastien Löffler / NOI Pictures
A ceramic plate created by the traditional blue-and-white glaze; in a classic fish design, with minimalist plant designs and a thin encircling band.

© Sébastien Löffler / NOI Pictures
A ceramic shallow plate with blue-and-white glazing technique, a phoenix in flight design in well, done in a surreal style, surrounded by concentric rings.

© Sébastien Löffler / NOI Pictures
A ceramic plate with blue & white glaze technique; with abstract non-figurative representations of leaves and flowers of plants, with Nôm-Việt characters.

© Sébastien Löffler / NOI Pictures
A deep ceramic plate with grey-green celadon glaze; elegant, complex, impressed three-tier design of a chrysanthemum flowers, vegetal pattern, radial lines; spur marks in the well; a mark of dip-glazing around the base.

© Sébastien Löffler / NOI Pictures
Vietnamese export ware, raised from the eastern sea; a group of covered boxes and one jarlet, all from the Chàm island wreck.

© Sébastien Löffler / NOI Pictures
An unglazed jar with a tapering body, gently curved shoulders and circumferential band design; naturally variegated surface colour of unglazed earthenware.

© Sébastien Löffler / NOI Pictures
Unglazed jar with a sharply defined high shoulder, with a decorative shoulder band enhanced with raised double-meander design; a straight vertical neck with a slightly flared lip; naturally variegated surface colour of unglazed earthenware.

© Sébastien Löffler / NOI Pictures
Shouldered jar with a flared rim and circumferential band design; thin white glaze. From the early Hán-Việt period (period of Chinese dominance).
Output Formats

atom, dc-rdf, dcmes-xml, json, omeka-xml, rss2