Browse Items (145 total)

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A rice paper scroll painting used by a San Diu ritual master.

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The Three Halls (三堂) painted on rice paper; from a ritual master of the San Diu people

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A handheld table crafted from wood and adorned with Nôm Cao Lan characters and lacquered.

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A collection of sacred implements: a sakyamuni statue, a buddhist seal, a pair of rotating spinners, a dragon sculpture; crafted and lacquered wood, iron rod, bronze coins.

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Cotton, hand-embroidered, appliquéd with beads

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Traditional outfit of the Pa Then woman including skirt, tunic, and headband ensemble.

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A tobacco pipe handcrafted with wood and silver by a Brau woman from Kon Tum province.

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A dragon handcrafted from wood , used by a Taoist priest of San Chi people.

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A three-section woven basket involved multiple stages and the use of different materials like bamboo, rattan, and wood.

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A sickle for rice harvesting, featuring an iron blade, a hand-carved wood and bamboo handle (adorned with zoomorphic carvings).

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A classic goong crafted from bamboo, wood, and gourd (with a damaged gourd)

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The bronze cooking pot characterized by its round-bottomed shape, distinctive “waisted” design, paired suspension rings, and decorative bands; in exceptional condition with a rich black patina.

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The wooden hand-carved peacock sculpture is displayed in front of an Ede tomb to not only embody spiritual beliefs and worship but also represent a unique form of craftsmanship.

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The hand-carved bird sculpture serves as a decorative element on the fence surrounding the long house of the Ede people.

© Sébastien Löffler / NOI Pictures
Stones shaped and designed to be used for igniting kindling to start a fire. From the Phùng Nguyên period of Vietnamese history or earlier.

© Sébastien Löffler / NOI Pictures
Three adze blades; hardstone with a variegated surface texture from 4,500 years underground. From the Phùng Nguyên period of Vietnamese history.

© Sébastien Löffler / NOI Pictures
Two neolithic shouldered-adze blades; hardstone with a variegated surface texture from 4,000 years underground. From the Phùng Nguyên period of Vietnamese history.

© Sébastien Löffler / NOI Pictures
Ritual implements found by local farmers whilst working. Traditionally the set would be placed next to a deceased farmer, to accompany them to the next world, so the can complete rituals for bringing rain to his rice crop; waisted 'rain drum', …

© Sébastien Löffler / NOI Pictures
Ritual implements found by local farmers whilst working. Traditionally the set would be placed next to a deceased farmer, to accompany them to the next world, so they can complete rituals for bringing rain to his rice crop. All made from bronze, from…

© Sébastien Löffler / NOI Pictures
Halberd blade, made from bronze, with blue-green patina buried in wet soil; from the early Đông Sơn period of Vietnamese history.

© Sébastien Löffler / NOI Pictures
Halberd blade, made from bronze, with black-green patina buried in dry soil; from the early Hán-Việt period of Vietnamese history.

© Sébastien Löffler / NOI Pictures
Bell with original clapper intact; made from bronze with open lower seams on both sides, a characteristic of small bells of the Đông Sơn period of Vietnamese history.

© Sébastien Löffler / NOI Pictures
Ritual spoons used for offering and burning incense or other ritual materials; made from cast bronze, from the Đông Sơn period of Vietnamese history.

© Sébastien Löffler / NOI Pictures
Hair comb made for use solely in the afterlife and placed in the tomb at burial; the design depicts a female figure at the centre, surrounded by shapes representing trees and birds. Made from puddle cast bronze, from the Đông Sơn period of Vietnamese…

© Sébastien Löffler / NOI Pictures
A circular bracelet with cutwork style detailing; made from bronze with thick textured blue-green colouration from a long burial in moist soil, from the Đông Sơn period of Vietnamese history.

© Sébastien Löffler / NOI Pictures
Collared disc shaped bracelet, made from bronze with thick blue-green patina from long burial in moist soil. From Đông Sơn period of Vietnamese history.

© Sébastien Löffler / NOI Pictures
A collection of Bronze Age tool blades. Axes and adzes in a variety of shapes, and with a variety of natural patinas: blue-green (from wet soil), black-green (from dry soil), and yellow-bronze caused by wear from gravel on the river bottom.
From the…

© Sébastien Löffler / NOI Pictures
Spearhead made from bronze, blue-green surface colouration from burial for 2000 years in moist soil; yellow surface colouration and mottled texture caused by wear from gravel on the river bottom; green-black surface colouration from burial in dry…

© Sébastien Löffler / NOI Pictures
Ritual pail for rice wine; made from bronze, finely cast, from the Đông Sơn period of Vietnamese history.

© Sébastien Löffler / NOI Pictures
Ceramic bowl with slanted base, thickened rim and a pair of linear decorative bands; from the earliest portion of the Hán-Việt period (period of Chinese dominance).

© Sébastien Löffler / NOI Pictures
A deep ceramic bowl with an ivory glaze; thin-walled, sloped with a slightly flared rim; probably for alms-giving for buddhist monks and nuns.

© Sébastien Löffler / NOI Pictures
Ceramic bowl decorated with abstract natural images on the outer surface, finished in a blue-and-white glaze technique.From a wealthy family of the Kinh (Việt) people

© Sébastien Löffler / NOI Pictures
Ceramic bowl decorated with dabbed on minimalist linear designs, with an unglazed stacking ring; finished in a blue-and-white glaze technique.From a wealthy family of the Kinh (Việt) people.

© Sébastien Löffler / NOI Pictures
Ceramic bowls decorated with a simplistic & abbreviated floral design on the exterior (107), with fluid swirling, floral patterns & Chinese characters on the outside surface (108) and with minimal circumferential rings in the well (111). All have…

© Sébastien Löffler / NOI Pictures
Shallow ceramic plate & bowl from the dynastic period of Vietnamese history; olive-green glaze, applied by dip method.

© Sébastien Löffler / NOI Pictures
Ceramic plate which is a good example of the blue-and-white glazing technique on ware made for the domestic market; simple abstract floral pattern design, illustrating the difference between Việt Nam ceramics and the more formal designs on Chinese…

© Sébastien Löffler / NOI Pictures
Ceramic plate with blue-and-white glazing technique; looser abstract design representative of plants, leaves and flowers; name of owner in Nôm-Việt characters stippled
on the surface.

© Sébastien Löffler / NOI Pictures
A ceramic plate created by the traditional blue-and-white glaze; in a classic fish design, with minimalist plant designs and a thin encircling band.

© Sébastien Löffler / NOI Pictures
A ceramic shallow plate with blue-and-white glazing technique, a phoenix in flight design in well, done in a surreal style, surrounded by concentric rings.

© Sébastien Löffler / NOI Pictures
A ceramic plate with blue & white glaze technique; with abstract non-figurative representations of leaves and flowers of plants, with Nôm-Việt characters.

© Sébastien Löffler / NOI Pictures
A deep ceramic plate with grey-green celadon glaze; elegant, complex, impressed three-tier design of a chrysanthemum flowers, vegetal pattern, radial lines; spur marks in the well; a mark of dip-glazing around the base.

© Sébastien Löffler / NOI Pictures
Vietnamese export ware, raised from the eastern sea; a group of covered boxes and one jarlet, all from the Chàm island wreck.

© Sébastien Löffler / NOI Pictures
An unglazed jar with a tapering body, gently curved shoulders and circumferential band design; naturally variegated surface colour of unglazed earthenware.

© Sébastien Löffler / NOI Pictures
Unglazed jar with a sharply defined high shoulder, with a decorative shoulder band enhanced with raised double-meander design; a straight vertical neck with a slightly flared lip; naturally variegated surface colour of unglazed earthenware.

© Sébastien Löffler / NOI Pictures
Shouldered jar with a flared rim and circumferential band design; thin white glaze. From the early Hán-Việt period (period of Chinese dominance).

© Sébastien Löffler / NOI Pictures
Hand-made agate beads found by farmers during the course of their agricultural work.

© Sébastien Löffler / NOI Pictures
Earrings made from Jade or a similar stone, from the Phùng Nguyên culture of Vietnamese history.

© Sébastien Löffler / NOI Pictures
Coat of a high-level Taoist shaman of the Dao Quần Trắng (White Trousers Dao) people. Made from hand-woven cotton dyed with indigo, depicting numerous ritual symbols; embroidered with silk thread, the majority of which are dyed with natural, locally…

© Sébastien Löffler / NOI Pictures
Cơ Tu man's loin cloth, made from hand-woven cotton, dyed with indigo, decorated by numerous traditional designs with white-glass bead detailling, woven directly into the cloth.

© Sébastien Löffler / NOI Pictures
Cơ Tu man's stole, made from hand-woven cotton, dyed with indigo, decorated by numerous traditional designs with white-glass bead detailling, woven directly into the cloth.
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