Browse Items (16 total)

© Sébastien Löffler / NOI Pictures
A deep ceramic bowl with an ivory glaze; thin-walled, sloped with a slightly flared rim; probably for alms-giving for buddhist monks and nuns.

© Sébastien Löffler / NOI Pictures
Ceramic bowl decorated with abstract natural images on the outer surface, finished in a blue-and-white glaze technique.From a wealthy family of the Kinh (Việt) people

© Sébastien Löffler / NOI Pictures
Ceramic bowl decorated with dabbed on minimalist linear designs, with an unglazed stacking ring; finished in a blue-and-white glaze technique.From a wealthy family of the Kinh (Việt) people.

© Sébastien Löffler / NOI Pictures
Shallow ceramic plate & bowl from the dynastic period of Vietnamese history; olive-green glaze, applied by dip method.

© Sébastien Löffler / NOI Pictures
Ceramic plate which is a good example of the blue-and-white glazing technique on ware made for the domestic market; simple abstract floral pattern design, illustrating the difference between Việt Nam ceramics and the more formal designs on Chinese…

© Sébastien Löffler / NOI Pictures
Ceramic plate with blue-and-white glazing technique; looser abstract design representative of plants, leaves and flowers; name of owner in Nôm-Việt characters stippled
on the surface.

© Sébastien Löffler / NOI Pictures
A ceramic plate created by the traditional blue-and-white glaze; in a classic fish design, with minimalist plant designs and a thin encircling band.

© Sébastien Löffler / NOI Pictures
A ceramic shallow plate with blue-and-white glazing technique, a phoenix in flight design in well, done in a surreal style, surrounded by concentric rings.

© Sébastien Löffler / NOI Pictures
A ceramic plate with blue & white glaze technique; with abstract non-figurative representations of leaves and flowers of plants, with Nôm-Việt characters.

© Sébastien Löffler / NOI Pictures
A deep ceramic plate with grey-green celadon glaze; elegant, complex, impressed three-tier design of a chrysanthemum flowers, vegetal pattern, radial lines; spur marks in the well; a mark of dip-glazing around the base.

© Sébastien Löffler / NOI Pictures
An unglazed jar with a tapering body, gently curved shoulders and circumferential band design; naturally variegated surface colour of unglazed earthenware.

© Sébastien Löffler / NOI Pictures
Unglazed jar with a sharply defined high shoulder, with a decorative shoulder band enhanced with raised double-meander design; a straight vertical neck with a slightly flared lip; naturally variegated surface colour of unglazed earthenware.

© Sébastien Löffler / NOI Pictures
Shouldered jar with a flared rim and circumferential band design; thin white glaze. From the early Hán-Việt period (period of Chinese dominance).

© Sébastien Löffler / NOI Pictures
Multipurpose tool for the preparation of various components of betel chew (cutting the areca nut, spreading the lime paste, and perforating the body of the betel leaf to allow insertion of the stem as a self-closure); made from iron, partially…

© Sébastien Löffler / NOI Pictures
A spittoon for betel chew, made of bronze, with incised decorative lines.

© Sébastien Löffler / NOI Pictures
Silver chopsticks and ribbed, bronze case with parallel flanking 'tunnels' for a lanyard to facilitate carrying and storage.
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